Material Literacy

An Experiential Journey

Workshops / Events

Workshops / Events

Material Literacy is an initiative that aims to bridge the gap between people and the materials we interact with every day. From the moment we wake up to the time we go to sleep, we interact with many materials in our daily routine, the toothbrush we use, the water we drink, and the clothes we wear. Yet we rarely stop to ask simple questions: What are these materials made of? Where do they come from? Do we even need them? And what impact do they have on our bodies, our environment, and our future?

Material Literacy helps individuals look at everyday objects not just as products, but as materials with origins, properties, and consequences. Over time, people have lost their connection with many materials around them. For example, what varieties of rice grow in your region? Is there only one kind of cotton across the world? Our understanding of materials today is often limited, even though they shape our lives in many ways.

By learning to recognise the materiality of what surrounds us, people begin to understand how everyday choices influence larger environmental and social systems. Material Literacy encourages participants to observe, question, and rethink the materials they use daily.

The program explores five essential materials that shape everyday life: food, water, plastic, cosmetics, and textiles. Through hands-on activities, observation, discussions, and experimentation, participants learn about the life cycle of these materials, where they come from, how they are processed, how they enter our daily routines, and what happens to them after use.

By combining material exploration, creative experimentation, and critical thinking, the program encourages individuals to make more conscious and responsible choices in their everyday lives.

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Academic Structure

Academic Structure

An academic course designed by Material Library of India. This course provides students from various disciplines, an insight into our everyday materiality including the materials from various waste channels. The objective is to trigger creativity backed by Research and Development to fuse various waste materials and convert them into meaningful sustainable Products.

This benefits not only the environment but also provides a boost to the local economy by engaging small businesses, artisans, and craftsmen.

This program has been run at various institutions such as

1. ISDI School of Design & innovation

2. Symbiosis Institute of Design, Pune

3. Wellingkar Institute of Management, Mumbai

4. Whistling Woods International, Mumbai

5. National Institute of Fashion Technology, Mumbai

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Material Archive

Material Archive

The Material Archive is a physical material library that maps and documents different materials and their journeys. It introduces visitors to materials in their original form and helps them understand their origins, properties, and the systems they belong to.
By exploring the archive, visitors can observe how materials move from raw resources to products and eventually into different cycles of use, reuse, or disposal. The space encourages a deeper understanding of materials and invites people to reconnect with the material world around them.

Bharat Tex

Bharat Tex

Journey through India’s Consumption patterns

Collaborators- Fashion Revolution India & Material Library of India 

Sustainability Pavillion, Ministry of Textiles 

 

This installation traces the cyclical journey of textiles and clothing practices from the Vedic period to the present day. In ancient times, garments were deeply intertwined with spirituality, medicine, and memory, seen in traditions such as Ayurvastra, where textiles were infused with healing properties, and in visual storytelling forms like Phad paintings and Pichhwais. These textiles and artworks were not commodities but expressions of devotion, with artisans using material and imagery as a way to communicate love and reverence towards God.
Over time, this relationship with clothing shifted. With industrialisation and mass production, textiles became detached from meaning, leading to overconsumption, waste, and landfilling systems. In recent years, however, this trajectory has begun to reverse. Now, people are returning to sustainable and mindful ways of living through practices such as upcycling, recycling, and repair culture, signalling a renewed respect for materials and labour.
The installation visualises this full cycle, showing how we are gradually turning back towards values rooted in the Vedic period, where textiles were meaningful, intentional, and embedded in cultural and spiritual life.